A group of ten artists were permitted to use an unoccupied, former fish warehouse in the harbor of Husavik, an Icelandic fishing village. There, they worked on a variety of artistic projects involving the local community, and they debated whether or not to stage an exhibition. Though acutely aware of viewers’ expectations for a “finished” show, the artists instead opened their doors to the public in a state of incompleteness.
Work in progress, like the artist-local relationships.
