Random Institute embarks with the theater director Marcus Rehberger on a pioneering experiment: leaving the audience in the dark, as well as the actors. Presenting a theater play that fully develops in pitch darkness it leaves the scenes to the imagination of the public. Well almost. Every few minutes the room is lightened for milliseconds by a flash, revealing an awe-inspiring scenery that proves again and again that imagination might be only a mutual misunderstanding.
The Playtime festival centers around an elastic exhibition, a 12-hour sequence of presentations by international project spaces that experiment with temporality and visibility. Selected were art initiatives that dare to take risks in their programming and identify new trends in art which are often overlooked by institutional frameworks.
Each of these initiatives presents in its own unique way, a project that stretches the boundaries of space in which audience, art and artist collide.
Playtime is organized by K_nstvl___ Platform for Experimental Art Spaces.
This festival runs from May 20th to May 22nd, 2017 at SSBA Salon (Stadsschouwburg) in Amsterdam. Random Institute's contribution to the festival will take place on May 21nd at 4pm.
Other participants: Apice for Artists (Amsterdam, NL), Askeaton Contemporary Arts (Limerick, IE), B32 (Maastricht, NL), Buenos Tiempos, Int. (Brussels, BE), Bureau des Réalités (Brussels, BE), Club Solo (Breda, NL) icw M HKA CODE ROOD (Arnhem, NL), Corridor Project Space (Amsterdam, NL), Deborah Bowmann (Brussels, BE), EMBASSY gallery (Edinburgh, GB), Galerie Gallery (Rotterdam, NL), Le Salon (Brussels, BE), Mertens Frames Project Space by Plan B (Amsterdam, NL), NEVERNEVERLAND (Amsterdam, NL), Nile Sunset Annex (Cairo, EG), Rainbow Soulclub (Amsterdam, NL), RGKSKSRG (nomadic), Samet Yilmaz (nomadic), Kunsthuis SYB (Beetsterzwaag, NL), Treize (Paris, FR), WINDMAKERS (Den Haag, NL) and Kunstverein Zürich (CH).
If Paris were an aquarium, Charly would be its tropical fish, jumping out of the water each night with no one watching. The award-winning fishmonger peddles fish during the day and tours as a drag queen through the French capital’s underground scene at night. Now, for the first time, Charly is crossing the Atlantic to take part in the Despacio performance festival, uniting his many worlds: fresh fish, art performances and queer appearances.
Upon entering Charly’s fish market, situated on a busy Paris street, one quickly observes a universe of dreams and desire: glassy eyes of dead fish stare at you; posters for drag shows paper the walls; a handwritten thank you note from the mayor, Anne Hidalgo, perches alongside his Michelin medal. It’s more than a fish market, it’s a hodgepodge of the various stories life can offer when one's passion is given free reign. It’s a stage, where fish are the props and the clients become the public.
When day turns to night, our fisherman lets his diva emerge, darting like a tropical fish through the underground rivers of Paris. In placing Charly's fish-market at center stage of the festival, Despacio celebrates the grandeur of a man's dreams, desires and duality – each one a stand-in for our own.
On April 29th several international and local artists will turn his shop into an unending stream of performance and fantasy.
From drag shows, musical contributions, theatrical interventions, to long-durational art performances – all will question the roles we tend to play in life, as well as those we tend to ignore. To transgress the rules of society and fashion is to give rise to an inner creativity and break with conformity.
Visitors will bear witness to a real fish-market, one where they can buy fresh fish and see them prepared into meals on-site. For French speakers, there will be plenty of opportunity for conversations with the enigmatic fishmonger. For the non-French speakers, body language will suffice. In Charly's grotto, it's anything goes.
The fish market and performance festival takes place on April 29th 2017 at Despacio. (Facebook Event)
Participating artists: Charly Le Poissonnier, Dino Real, Elyla Sinvergüenza, Javier Calvo, Monsieur Bien, Oscar Ruiz-Schmidt, Señorita Abril, Robertito and more.
Directed by Sandino Scheidegger
This marks the second edition of the festival. It was originally conceived by Sandino Scheidegger for Random Institute and staged in 2014 in Zurich. Credits for drag film: Performer: Elyla Sinverguenza, Camera, Directing and Editing: Guillermo Sáenz, Costume and Styling: Marcus Carmon, Production: Nicholas Blevis & David Torres, Music: Arca - Anoche. Credits for film about Charly in Paris: Camera: Fabian Niklaus, Animation: Raphael Etter, Concept: Leila Hincelin and Sandino Scheidegger. Credits for film about Charly in Costa Rica: Ernesto Varga. Credits for photos of the festival: Juliette Chrétien and Erno Hilarion.
As if it were an appendix of the mothership, Carlos Fernández docks at Despacio a habitat that encapsulates not only his work, but also himself and even a patch of life where each one of us might find ourselves.
May 27th: Plants Workshop Carlos Fernández & Sergio Rojas Chaves
June 10th: La Mala Mano Farming Workshop with Carlos Fernández
COORDINATES: 9°56′00″N 84°05′00″
OTHER MARKERS: Avenida Central, Calle 11, San José, Costa Rica
RESOURCES: canvas, plants, seeds (I), Carlos’s hat (II), soil and chicha (III)
ACTIVATIONS: pedagogical workshops (IV), funky bar (V), seed exchange (VI), and others, still unknown.
This is a real person’s temporary and imaginary work camp. At this station, a series of live elements coexist; they are not the final products but parts of a simmering process. It is also an installation that sustains itself through collective participation and collaboration.
While participating in this experience, the concept of excess provides clues and serves as a common thread: in abundance lies beauty. The plants’ greenness blends with its smells and paintings function as registers of past lessons and future explanations. It is imperative to allow oneself to be enchanted by the layers that coat and recoat every corner—superimposed, hidden information, and the possibility of germination in every square centimeter of the space.
We discover that we can access a fragment of a practice that has long represented not the intermingling of one or two disciplines but rather Carlos’s life itself: his everyday to-and-fro and his passion for agriculture, art, botany, and education. The production of this work represents the search to redefine these practices as well as an act of appropriation.
This station, set at the center of San José, will offer moments for learning, contemplation, and dance. Always in the spirit of exchange—of knowledge and experiences, of seeds and the multiple possibilities between practices that will here appear to overflow and interconnect. There is a subtle but continuous invitation of integration; we are invited to engage in the (self)care inherent to the relationship that we can create with the soil and harvest.
Suddenly, art is life understood through the idea of purpose: of working the soil as if it were a canvas; of generating spaces to share or exhibit beyond the traditional ones. Even of needing to collect and exchange seeds as a reflex of turning the gaze toward the beginning, a gesture that seeks to perpetuate life.
Thoughts by Paula Piedra. Translated by Paula Kupfer.
Carlos Fernández's solo show at Despacio in San José, Costa Rica opens March 23th and runs through April 23th, 2017. (Facebook Event)
The indoor garden that is part of the exhibition will remain throughout 2017 and serve as Despacio’s new central archive.
Twins Jörg and Rolf Fischer are deeply bound to one another by their fate: they were both born deaf and, due to severe diabetes, gradually lost their sight during the course of their lives. Photographer Marlena Waldthausen moved in with Jörg and Rolf to capture one of the most remarkable relationships ever recorded, forged by their love and care for one another, everyday in every way.
Born deaf and now blind, 49-year-old twins Jörg and Rolf Fischer are totally reliant on one another for companionship and communication. They share everything, including a bond that transcends everyday brotherly love.
The brothers experience life very differently from the way most of us do, and that is what makes their relationship so unique. As it is understandably difficult for them to communicate with the outside world, they support each other in their daily lives through their own language and humour.
Jörg is now completely blind. Rolf, who is still partially sighted, tries to support his brother as best as he can. He guides Jörg, even though he does not see the way properly himself. If there is written information, he reads it to Rolf in spite of the great effort.
Photographer Marlena Waldthausen lived with Jörg and Rolf at their care facility and in their parents home for more than 7 months, documenting their bond with her camera and doing her best to learn their language.
This solo exhibition opens on March 23th and runs through April 22nd, 2017 at Despacio (Facebook Event).
Marlena Waldthausen was born close to Stuttgart in southern Germany in 1987 and is currently based in Amsterdam. She spent several years in Latin America living in many different cities, including Buenos Aires and Mexico City. From 2008 to 2012, she studied Regional Studies of Latin America at Cologne University before becoming a student of Photojournalism and Documentary Photography at the University of Applied Sciences and Arts in Hannover.
Outside of her assignments, Waldthausen works mostly on long term personal projects in film and photography. She won the 2016 VGH Award, is one of five winners of the 2016 Feature Shoot Emerging Photography Award, and was nominated for the 2016 Freelens Award and the 2015 Balkan Photo Award.
Art history rarely moves in a straight line. Now more than ever, when it comes to a collective notion of Latin American art, there are as many ways to approach it as there are to traversing its nineteen countries and territories. Steering clear of a generalized survey of the region, we choose a more personal path by compiling works from Latin American artists that inspired us throughout our journey over the last decade, bringing to the fore the works, artists, and conversations that we couldn’t possibly forget.
First Day of Good Weather takes as its inspiration and starting point conversations that happened in and around Despacio. While it is true that personal dialogues can result in a filtered perception of reality—the filters as well as the perception being both highly subjective—that same subjectivity seems to be an essential ingredient for a truly independent art space. There are no set guidelines, just a vision that is focused through the discourse of like-minded peers.
The exhibition features artworks by sixteen artists from Central America, the majority of whom have never before shown their work in Germany. Also included are thirteen more Latin American artists who have been at the center of extensive dialogues detailing their profound influence on entire generations of artists, from Mexico’s Rio Grande to Argentina’s Tierra del Fuego.
Spanning multiple genres and ranging in tone from political to humorous, the works transcend the immediate allure of the exotic to reveal the contagious spirit of curiosity. The artistic propositions are often balancing acts between everyday life and what it means to be an artist in Latin American society—a society which has a long history of wrestling with local and global political crises, colonial capitalism, abuse of power, and the struggles of subsisting day to day.
Art is critical thinking—building an awareness of the inner workings of the mind. But art is also making sense of the situations we find ourselves in. It helps us to accept that there is not such a thing as a single current reality, but rather a myriad of perceptions that together comprise our collective reality. The sum of all of these works is, therefore, much more like a fluid conceptualization of Latin America and its art than it is a static definition.
First Day of Good Weather takes visitors back to where everything began: the conversations with artists that sent our thoughts flying into space to return in new and unusual configurations that would culminate in more than fifty exhibitions and projects over the last decade. The exhibition is a voyage of discovery through the artistic territory of Latin America, far off the beaten path of exotic fantasies, dealing instead with specific experiences and contexts that exist in constant states of evolution. We wait, ever watchful, after each rainy season for that first day of good weather to begin our explorations all over again.
Thoughts by Sandino Scheidegger
The group exhibition opens on January 13th and runs through March 11th, 2017 at Sies + Höke in Düsseldorf, Germany.
Participating Artists: Jennifer Allora & Guillermo Calzadilla, Alejandro Almanza Pereda, Iván Argote, Sol Calero, Javier Calvo, Luis Camnitzer, Benvenuto Chavajay, Donna Conlon & Jonathan Harker, Alejandro de la Guerra, Melissa Guevara, Federico Herrero, Walterio Iraheta, Alfredo Jaar, Regina José Galindo, Aníbal López, Teresa Margolles, Adrian Melis, Ronald Morán, Rivane Neuenschwander, Yoshua Okón, Liliana Porter, Naufus Ramírez-Figueroa, Abigail Reyes, Crack Rodríguez, Gabriel Rodríguez, Tercerunquinto, Adán Vallecillo, and Guillermo Vargas Habacuc.
Photo credits and copyright: Images of the art works courtesy of the artist and their respective galleries. Installation views by Achim Kukulies, Düsseldorf.