Random Institute embarks with the theater director Marcus Rehberger on a pioneering experiment: leaving the audience in the dark, as well as the actors. Presenting a theater play that fully develops in pitch darkness it leaves the scenes to the imagination of the public. Well almost. Every few minutes the room is lightened for milliseconds by a flash, revealing an awe-inspiring scenery that proves again and again that imagination might be only a mutual misunderstanding.
The Playtime festival centers around an elastic exhibition, a 12-hour sequence of presentations by international project spaces that experiment with temporality and visibility. Selected were art initiatives that dare to take risks in their programming and identify new trends in art which are often overlooked by institutional frameworks.
Each of these initiatives presents in its own unique way, a project that stretches the boundaries of space in which audience, art and artist collide.
Playtime is organized by K_nstvl___ Platform for Experimental Art Spaces.
This festival runs from May 20th to May 22nd, 2017 at SSBA Salon (Stadsschouwburg) in Amsterdam. Random Institute's contribution to the festival will take place on May 21nd at 4pm.
Other participants: Apice for Artists (Amsterdam, NL), Askeaton Contemporary Arts (Limerick, IE), B32 (Maastricht, NL), Buenos Tiempos, Int. (Brussels, BE), Bureau des Réalités (Brussels, BE), Club Solo (Breda, NL) icw M HKA CODE ROOD (Arnhem, NL), Corridor Project Space (Amsterdam, NL), Deborah Bowmann (Brussels, BE), EMBASSY gallery (Edinburgh, GB), Galerie Gallery (Rotterdam, NL), Le Salon (Brussels, BE), Mertens Frames Project Space by Plan B (Amsterdam, NL), NEVERNEVERLAND (Amsterdam, NL), Nile Sunset Annex (Cairo, EG), Rainbow Soulclub (Amsterdam, NL), RGKSKSRG (nomadic), Samet Yilmaz (nomadic), Kunsthuis SYB (Beetsterzwaag, NL), Treize (Paris, FR), WINDMAKERS (Den Haag, NL) and Kunstverein Zürich (CH).
If Paris were an aquarium, Charly would be its tropical fish, jumping out of the water each night with no one watching. The award-winning fishmonger peddles fish during the day and tours as a drag queen through the French capital’s underground scene at night. Now, for the first time, Charly is crossing the Atlantic to take part in the Despacio performance festival, uniting his many worlds: fresh fish, art performances and queer appearances.
Upon entering Charly’s fish market, situated on a busy Paris street, one quickly observes a universe of dreams and desire: glassy eyes of dead fish stare at you; posters for drag shows paper the walls; a handwritten thank you note from the mayor, Anne Hidalgo, perches alongside his Michelin medal. It’s more than a fish market, it’s a hodgepodge of the various stories life can offer when one's passion is given free reign. It’s a stage, where fish are the props and the clients become the public.
When day turns to night, our fisherman lets his diva emerge, darting like a tropical fish through the underground rivers of Paris. In placing Charly's fish-market at center stage of the festival, Despacio celebrates the grandeur of a man's dreams, desires and duality – each one a stand-in for our own.
On April 29th several international and local artists will turn his shop into an unending stream of performance and fantasy.
From drag shows, musical contributions, theatrical interventions, to long-durational art performances – all will question the roles we tend to play in life, as well as those we tend to ignore. To transgress the rules of society and fashion is to give rise to an inner creativity and break with conformity.
Visitors will bear witness to a real fish-market, one where they can buy fresh fish and see them prepared into meals on-site. For French speakers, there will be plenty of opportunity for conversations with the enigmatic fishmonger. For the non-French speakers, body language will suffice. In Charly's grotto, it's anything goes.
The fish market and performance festival takes place on April 29th 2017 at Despacio. (Facebook Event)
Participating artists: Charly Le Poissonnier, Dino Real, Elyla Sinvergüenza, Javier Calvo, Monsieur Bien, Oscar Ruiz-Schmidt, Señorita Abril, Robertito and more.
Directed by Sandino Scheidegger
This marks the second edition of the festival. It was originally conceived by Sandino Scheidegger for Random Institute and staged in 2014 in Zurich. Credits for drag film: Performer: Elyla Sinverguenza, Camera, Directing and Editing: Guillermo Sáenz, Costume and Styling: Marcus Carmon, Production: Nicholas Blevis & David Torres, Music: Arca - Anoche. Credits for film about Charly in Paris: Camera: Fabian Niklaus, Animation: Raphael Etter, Concept: Leila Hincelin and Sandino Scheidegger. Credits for film about Charly in Costa Rica: Ernesto Varga. Credits for photos of the festival: Juliette Chrétien and Erno Hilarion.
Eternal One-Night Stand is a one-on-one performance night. It takes place as part of zürich moves!, a festival for contemporary dance and performance.
Es wird eine Nachtmeerfahrt trotz Sturmwarnung. Besucher ziehen im Alleingang durch beklemmende Räume, schmale Korridore und enge Vorzimmer. In jedem Raum lauert eine intime Performance, die sich unzüchtig an der Neugierde des auf sich allein gestellten Besuchers vergreift. Wahrhaftig eine Nacht ohne die übliche Spucke.
The one-on-one performance night took place from 9pm to 2am on March 19, 2015 at Réunion in Zurich. See Facebook event.
Jiri Kovanda (Prague)
Jamie Diamond (New York)
Maria Petschnig (New York)
Daniel Hellmann (Berlin / Zurich)
Ivan Blagajcevic a.k.a. Evalyn (Zurich)
Marie-Caroline Hominal (Geneva)
Nils Amadeus Lange (Zurich)
Mica Sigourney a.k.a. VivvyAnne ForeverMORE (San Francisco)
Antonio Da Silva (London)
Images of the performance night by Matthew Cianfrani, Dimitra Charamanda, Sina Blassnig, and Jamie Diamond. Images of previous performances courtesy of Nadzar Udin, artists or gb agency (Paris), Krobath Galerie (Vienna), and On Stellar Rays (New York).
The Brazilian artist Letícia Parente (1930-1991) is no stranger to controversy. That is, of course, the result of having something to say and not being worried by the opinions of others.
Truly made in Brazil.
The works of the first Brazilian video artist Letícia Parente are characterized by their radicalism in the use of images of a social and political body, in contrast to a self-referential narcissism. Here the artist stitches the inscription “Made in Brazil,” focused in close-up, on the sole of her foot with a needle.
The screening took place from midnight until breakfast on June 26th through June 29th, 2014 at Réunion in Zurich, Switzerland.