Two North African artists were invited to Switzerland to speak about their work: one who meets the necessary visa requirements to enter the country and one who doesn’t. These two scenarios, to be presented at the Belluard Festival, are the starting points for a story that isn’t afraid to touch upon our collective prejudices and the controversial question looming behind its creation:
Will the visiting artist overstay his visa after his talk to start a new life in Switzerland?
The idea is simple. As far away as home: Paris to Warsaw is a curatorial initiative featuring Nummer veertien, home (2012), an ambitious video by Dutch artist Guido van der Werve. Even though van der Werve’s videos have been shown in heavyweight art institutions around the world—or perhaps exactly for that reason—the project deliberately took place beyond museum walls.